Orizio Modelli @ Galleria jannone

sagome su un tapie rullant con luce varie

video proiettato con animazione (misto di ombre e animazione) la luce sembra faro
il disegno proiettato sembra batterista

elemento di luce che si muove in circolo nella scatola che crea reticolo nell'ambiente



http://www.antoniajannone.it/

Light and shadow play upon the walls and ceiling of the room, cast by Anila Quayyum Agha’s new large scale wooden sculpture, called Intersections. The intricately patterned wooden cube contains an interior light-source which illuminates the gallery around it with geometric forms that draw their inspiration from the intersections of culture and religion.

“The Intersections project takes the seminal experience of exclusion as a woman from a space of community and creativity such as a Mosque and translates the complex expressions of both wonder and exclusion that have been my experience while growing up in Pakistan. The wooden frieze emulates a pattern from the Alhambra, which was poised at the intersection of history, culture and art and was a place where Islamic and Western discourses, met and co-existed in harmony and served as a testament to the symbiosis of difference. I have given substance to this mutualism with the installation project exploring the binaries of public and private, light and shadow, and static and dynamic. This installation project relies on the purity and inner symmetry of geometric design, the interpretation of the cast shadows and the viewer’s presence with in a public space.”

The piece measures 6.5 feet square and projects shadows around a 35 by 32 foot room. The artwork has been selected as a finalist for the 3rd Annual See.Me Year in Review Competition.

Read more at http://www.visualnews.com/2014/02/03/light-geometry-shadow-cube-casts-patterns-gallery-walls/#2LpW7Z4PUqZFimBK.99

Light and shadow play upon the walls and ceiling of the room, cast by Anila Quayyum Agha’s new large scale wooden sculpture, called Intersections. The intricately patterned wooden cube contains an interior light-source which illuminates the gallery around it with geometric forms that draw their inspiration from the intersections of culture and religion.
“The Intersections project takes the seminal experience of exclusion as a woman from a space of community and creativity such as a Mosque and translates the complex expressions of both wonder and exclusion that have been my experience while growing up in Pakistan. The wooden frieze emulates a pattern from the Alhambra, which was poised at the intersection of history, culture and art and was a place where Islamic and Western discourses, met and co-existed in harmony and served as a testament to the symbiosis of difference. I have given substance to this mutualism with the installation project exploring the binaries of public and private, light and shadow, and static and dynamic. This installation project relies on the purity and inner symmetry of geometric design, the interpretation of the cast shadows and the viewer’s presence with in a public space.”
The piece measures 6.5 feet square and projects shadows around a 35 by 32 foot room. The artwork has been selected as a finalist for the 3rd Annual See.Me Year in Review Competition.

Read more at http://www.visualnews.com/2014/02/03/light-geometry-shadow-cube-casts-patterns-gallery-walls/#2LpW7Z4PUqZFimBK.99

Light and shadow play upon the walls and ceiling of the room, cast by Anila Quayyum Agha’s new large scale wooden sculpture, called Intersections. The intricately patterned wooden cube contains an interior light-source which illuminates the gallery around it with geometric forms that draw their inspiration from the intersections of culture and religion.

“The Intersections project takes the seminal experience of exclusion as a woman from a space of community and creativity such as a Mosque and translates the complex expressions of both wonder and exclusion that have been my experience while growing up in Pakistan. The wooden frieze emulates a pattern from the Alhambra, which was poised at the intersection of history, culture and art and was a place where Islamic and Western discourses, met and co-existed in harmony and served as a testament to the symbiosis of difference. I have given substance to this mutualism with the installation project exploring the binaries of public and private, light and shadow, and static and dynamic. This installation project relies on the purity and inner symmetry of geometric design, the interpretation of the cast shadows and the viewer’s presence with in a public space.”

The piece measures 6.5 feet square and projects shadows around a 35 by 32 foot room. The artwork has been selected as a finalist for the 3rd Annual See.Me Year in Review Competition.

Read more at http://www.visualnews.com/2014/02/03/light-geometry-shadow-cube-casts-patterns-gallery-walls/#2LpW7Z4PUqZFimBK.99

Light and shadow play upon the walls and ceiling of the room, cast by Anila Quayyum Agha’s new large scale wooden sculpture, called Intersections. The intricately patterned wooden cube contains an interior light-source which illuminates the gallery around it with geometric forms that draw their inspiration from the intersections of culture and religion.

“The Intersections project takes the seminal experience of exclusion as a woman from a space of community and creativity such as a Mosque and translates the complex expressions of both wonder and exclusion that have been my experience while growing up in Pakistan. The wooden frieze emulates a pattern from the Alhambra, which was poised at the intersection of history, culture and art and was a place where Islamic and Western discourses, met and co-existed in harmony and served as a testament to the symbiosis of difference. I have given substance to this mutualism with the installation project exploring the binaries of public and private, light and shadow, and static and dynamic. This installation project relies on the purity and inner symmetry of geometric design, the interpretation of the cast shadows and the viewer’s presence with in a public space.”

The piece measures 6.5 feet square and projects shadows around a 35 by 32 foot room. The artwork has been selected as a finalist for the 3rd Annual See.Me Year in Review Competition.

Read more at http://www.visualnews.com/2014/02/03/light-geometry-shadow-cube-casts-patterns-gallery-walls/#2LpW7Z4PUqZFimBK.99